Ritual, discipline, masculinity and control.
Ivailo Stanev’s Corrida follows the world around the arena, where the public image gives way to something more private.

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Corrida traces the gestures, pauses and atmosphere of contemporary tauromaquia. Ivailo Stanev has long been drawn to the world around the arena: its ritual and discipline, its codes of masculinity, the preparation before action and the concentration it demands.

The photographs move between interiors and sand: an embroidered jacket resting on a chair, hands tightening fabric before entering the arena, dust rising in a beam of light, figures dissolving through movement. Together, these fragments reveal a side of corrida rarely visible from the stands.

At the centre is the man behind the public role. The matador is shaped by repetition, physical control, courage and tradition. Stanev often turns his attention to the hours and minutes around the spectacle, when the ceremonial image gives way to something more private.

Photographed over many years, Corrida reflects Stanev’s fascination with a world governed by ritual, discipline, history and gesture. He approaches it closely and without judgment, attentive to the people who inhabit the tradition and to what usually disappears once the arena takes centre stage.