Wet street surface reflecting buildings and a few indistinct figures under overcast sky.
A narrow Parisian street lined with parked cars and tall residential buildings under overcast daylight.
A man in a dark coat walks across a wet street at a crosswalk, passing a parked black car near curbside bollards.
A man in a light jacket crosses a wide street with striped pedestrian lines under overcast daylight in an urban setting.
A man crosses a rain-soaked city street at night, reflections of lights visible in wet pavement, distant cars and buildings blurred.
A narrow Parisian street with wet pavement stretches between rows of old apartment buildings under overcast skies.
A man in a dark coat and hat walks past a white wall with strong sunlight casting his elongated shadow.

Paris, 2018

€850
€850

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  • EDITION: EDITION OF 25 + 2 AP (PRINT) / EDITION OF 9 + 1 AP (ACRYLIC)
  • SERIES: THE COLOUR OF THE STREET
  • PROJECT YEARS: 2017–ONGOING
  • PROVENANCE: RELEASED FROM THE ARTIST’S ARCHIVE
  • SIZE: 40 × 50 CM PRINT (50 × 60 CM FRAMED) / 70 × 100 CM MOUNTED UNDER ACRYLIC GLASS
  • PAPER: HAHNEMÜHLE FINEART BARYTA
  • PRINT TYPE: ARCHIVAL PIGMENT PRINT
SIZE: 50×60 CM WITH WHITE FRAME

LIMITED. SIGNED. ARCHIVAL.

A man in a dark coat walks across a wet street at a crosswalk, passing a parked black car near curbside bollards.

Paris, 2018

€850

Paris, 2018

€850
SIZE: 50×60 CM WITH WHITE FRAME

SOME WORKS ARE NOT MEANT TO CIRCULATE. ONLY TO REMAIN.

WHY COLLECT PHOTOGRAPHY

We believe collecting is not about volume — it’s about presence.

Each photograph we offer carries authorship, context, and intention.

Not just aesthetic value — but a trace of a moment, a vision, a voice worth holding on to.

Some works live in memory.

Others — in collections.

WHAT MAKES PHOTOGRAPHY WORTH COLLECTING?

Photography is not just a medium — it is one of the defining art forms of our time.

Once considered ephemeral, it now holds a permanent place in museums, galleries, and private collections.

To collect photography is to collect a moment of vision — authored, composed, and made permanent.

A photograph captures emotion, memory, and light — and turns them into presence.

It stays long after the world it captured has changed. And becomes part of yours.

WHAT’S THE DIFFERENCE BETWEEN LIMITED AND COLLECTOR’S PHOTOGRAPHS?

Limited photographs are produced in small, signed series. Once sold out in a given size and format, they are no longer available.

Collector’s photographs are rarer still — often one-of-a-kind, early, or archived works.

Each piece is certified, documented, and offered with full provenance.

They are not reprinted, and their value grows with time, context, and rarity.

WHY INVEST IN PHOTOGRAPHY THROUGH MONOCHROME HUB?

Because we don’t just offer photographs — we offer authored, certified, and emotionally resonant works.

Every piece is selected directly from the archive of Ivailo Stanev and managed exclusively through Monochrome Hub.

Collector’s photographs are not reproduced, not distributed widely, and not found elsewhere.

They hold value not just in rarity, but in authorship, intention, and presence.

WHY COLLECT WORKS BY IVAILO STANEV?

Ivailo Stanev doesn’t need to be discovered.

His work has been published, exhibited, and collected for over two decades.

These photographs come from a practice shaped by experience, not trend.

They carry the weight of a career — and the presence of a singular eye.

New to his work? Learn more

HOW DOES MONOCHROME HUB ENSURE AUTHENTICITY?

Each photograph offered through Monochrome Hub comes directly from the artist’s archive.

All Collector’s works include a hand-signed Certificate of Authenticity and, when applicable, detailed edition information.

We manage the archive of Ivailo Stanev exclusively — every piece is verified, documented, and released with full curatorial oversight.

FROM THE VAULT

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